The first time I met Glen was at the recording session for “King Of The Surf Guitar”. This was my first recording session with L.A. session players and Dick’s first album on Capitol. From what I understand Capitol and/or the producer wanted to use session players and not the Del Tones (big mistake as why would you want to NOT use the band?). Anyway Dick insisted on having at least one of the Del Tones on the session and I got to be that guy. I was scared to death but young enough not to know better. I get to the session and who am I sitting next to but Glen Campbell! I was never a good reader and at that time didn’t know much about “charts” but of course the first thing everyone gets is a chart. I said to Glen “but I don’t read music”. Glen said not to worry he really didn’t either and they would run it down a few times and by then you would know it. Of course that’s exactly what happened and I was thankful to Glen for calming me down!

I think the next time I ran into him was on the Righteous Brothers session for “Try To Find Another Man”. I wasn’t on the session but went to listen and sure enough Glen was playing that cool, low guitar part. I asked Glen about that guitar of his as it had such a great sound and he told me he had bought it in a pawn shop in Tijuana, Mexico.

Throughout the years I would continue to run into Glen. At one point he was opening for the Righteous Brothers. I would stand backstage every night watching him and listening to his many, very, “hot licks”. I would also pester him to show me something he had just played and he was always kind enough to do so.

The first picture to the left is of Glen and Drew Johnson (drummer for the Righteous Brothers). This was on a tour through the south. The second picture is of Mike Patterson (piano player and road manager) and Glen on the same tour in Corpus Christi TX.

Another time we were out on the road with the Brothers and ran into Glen playing bass for the Beach Boys!

One of my favorite stories about Glen is that he and I were sitting at the bar in the Red Velvet, a hot spot on Sunset Blvd (This was probably around 1963). We were commiserating about the music business and all the ups and downs. I asked Glen how he was doing and he proceeded to tell me that things were not that great and he was thinking about moving back to Arkansas!

And the rest, they say, is history.

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After I left Dick Dale, Mike Patterson and a few of us started a band called The Fugitives. We had been backing up the Righteous Brothers on various gigs around Southern California before their big hit “You’ve Lost That Lovin’ Feelin’”. After that hit The Fugitives became the backup band for the Righteous Brothers. The Blossoms had been singing on most of the Brothers’ records so it only seemed natural that they join us on the road as the backup singers.

For some reason I became the designated driver for the girls, and the four of us spent a lot of time together. As we did most of our touring in the south (and this was the mid 60s) it became very interesting to see the look on peoples faces as I squired the gals around Louisiana, North Carolina, Mississippi, Alabama and Georgia. Two instances stick out in my mind. On one occasion we were driving to a gig through the back roads of North Carolina. We were lost and I stopped for directions at a small general store. All I remember is that the four of us were not greeted too warmly, and I said to the girls “let’s get out of here fast!” and we did. On another occasion we were at an airport somewhere in Louisiana. Evidently, it wasn’t generally appreciated that we should be traveling together, particularly as there was much obvious camaraderie and affection among us. Of course — we were lucky we didn’t get ourselves killed!

It became obvious at one point that Bill Medley and Darlene were very fond of each other. For whatever reason it never went beyond that, maybe because of the times. In any event, as the story was told to me, the relationship was the inspiration for the song “Brown Eyed Woman” written by Barry Mann and Cynthia Weil. I always thought that was a great record, but it was only a hit in some major cities. I guess the country wasn’t ready for that sentiment.

Another tidbit Darlene mentioned to me was how Phil Spector wouldn’t record her or release her from her contract, so she was in limbo for a number of years unable to release records under her own name.

Mike Patterson was actively involved as manager and road manager for the Brothers, but after they broke up he continued his role as manager for Bill Medley and various other acts, including The Blossoms. One day around 1971 Mike asked my writing partner, Joe Reed, and myself to write and produce some sides for a Blossoms album. This became their only album and was released on Lion/MGM Records. It was great to be re-united with them again. They were always fun to be with and of course their singing was out of this world! We recorded it at MGM recording studios on Fairfax in L.A. and used a lot of the “cool” Motown players of the time, as well as Gene Paige as the arranger. Also, here is a picture of me on a ladder dropping a pawn shop guitar plugged into a Marshall amp, cranked to the max, for the explosion on “Shockwave”.

A few years ago I was pleasantly surprised, watching one of the Lethal Weapon movies, to recognize Darlene playing Trish. I was also pleased to hear that she appeared in the Tony nominated 1985 Broadway musical, Leader of the Pack, based on the songs of Ellie Greenwich.

I was sad to hear of Jeannie’s death of a heart attack in 1983. I haven’t seen or spoken to Darlene or Fanita since the 70s but I have such fond memories of working and hanging out with them so many years ago.

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I ran across some old pictures the other day and it reminded me of a bit of trivia that some of you might find interesting. BTW my meanderings have no chronological order – it’s just how they happen to pop up.

After I returned from Vietnam in 1962 I was discharged from the Marine Corp and rejoined Dick Dale and The Del Tones (or His Del Tones as we were sometimes referred to). At different times Dick would have two sax players. The one constant sax player was Barry Rillera, who, as I have mentioned before was a great guitar player. The second player would change from time to time. I believe Barry was there before I left for overseas, but I’m not sure of the other. It may have been Armando Frank or someone named Jerry? (not sure, help!).

When I rejoined Dick in 1962 he was playing at Harmony Park. The second sax player was a new arrival from North Carolina named Lee Ferrell (OK, now you know where this is going!). Because Lee and I were the new guys in the band we became friends and went on to work in a number of little bands around the area (on our off nights with Dick). Lee was a quiet guy off stage, but we would be playing in these small local bars and some nights he would just do the craziest things – Jump up on the tables or the bar while playing, pull out a crazy wig and just generally cut up. You never knew when it would happen and he would be totally spontaneous. He was very, very funny.

Lee often talked of his girlfriend back home, Kay, and at one point he went back to North Carolina and married her. Will was born in 1967 and Lee and I worked together off and on up until 1971 when I moved to Los Angeles. I had always been a fan of Will Ferrell, even before I made the connection that he was Lee and Kay’s son. I only found out when I was visiting Bill Medley a few years ago and he mentioned it. Duh, I should of made the connection as I remembered how funny Lee had been those many years ago. I talked to Lee after I had spoken to Bill and he told me how Will’s success had evolved (from Lee’s perspective) but that’s another story.

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Yep that’s me in the center, goofy smile and all. An exciting group to watch huh? Still wish I had that Strat for the price they are going for today!

I was in the Marine Corps stationed at the Air Facility in Santa Ana CA. Being from Connecticut I soon discovered the beaches, Balboa Island and the Balboa peninsula. I used to watch Dick playing at the Rinky Dink ice cream parlor and then later at the Rendezvous Ballroom on the peninsula. That band was so cool and I thought I could never get in such a band (oh yeah, and all those “beach bunnies”!). Dick opened a record store at one point and I use to go in and look around but never got up the nerve to say anything to him until one day I mentioned that “I play guitar too”. Dick said that he had a gig coming up at a night club (The Flamingo in Santa Ana, one of the cool Orange county clubs at the time.). His guitar player was underage and would I like to come and play with them? Man, I couldn’t believe it. He had never heard me play and he was asking me to come play in the Del Tones? Dick remembers the story a little differently as he had said he had heard me play. Well there is a lot more to the story and I will tell more in later on but suffice it to say I owe a lot to Dick as he started my life on a path I could only dream of. Thanks Dick!

(c) 2008 Art Munson

Would love to hear your comments!

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